Dec 26

Movie Review Go Tell The Spartans (1978)

GO TELL THE SPARTANS (1978) is a movie you shouldn?t worry about missing. It?s a Vietnam War movie that is totally outclassed by the worthy examples of the same genre like Apocalypse Now, Platoon or the Full Metal Jacket.

Why do people make trite and hackneyed movies like this, I?ll never now. And bona fide stars like Burt Lancaster probably get involved with such unforgettable flicks for one reason alone ? they?re in a tight fix for some quick cash. Another reason does not come to mind easily.

Story in a nutshell:

An American Army advisory outfit in Vietnam headed by Major Barker (Burt Lancaster) is assigned a task for which it?s not ready: to go secure a Vietnamese village in the Vietcong territory.

The ragtag army of U.S. army misfits and their local south Vietnamese peasant contractors go and do exactly that, but not for too long. Eventually the superior and more disciplined Viet Cong forces inflict the same defeat on Barker?s forces that they?ve inflicted two decades age on the French.

The hard-shelled Barker is neither a hero nor a villain. He’s just a nobody. It is hard to identify with and root for a disillusioned aging Major who has no redeeming virtues except blurting out a lame Shit! every time the situation gets out of hand.

It is the tragicomic story of an ill-fitted army unit headed by an unhappy and cynical Major who was not promoted due to his unchecked alcohol and sexual habits.

The production values are a little better than the average high school stage play. A cheap movie with unlovable characters mouthing off hackneyed dialog and all roll towards an end that is as fresh as stale salami.

And of course the worst is the title itself. The epitaph ?Go Tell the Spartans? that once decorated the tombstones of those Spartan soldiers who died while fighting the Persian armies at the battle of Marathon implies by association that we are facing the same kind of heroes here who have performed their duty well and with civic pride. The band of bumbling amateurs in this movie are anything but the Spartan warriors of the old.

Deserves barely a 2 out of 10.

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Ugur Akinci, Ph.D. is a Creative Copywriter, Editor, an experienced and award-winning Technical Communicator specializing in fundraising packages, direct sales copy, web content, press releases and hi-tech documentation.

He has worked as a Technical Writer for Fortune 100 companies for the last 7 years.

You can reach him at writer111@gmail.com for a FREE consultation on all your copywriting needs.

Please visit his official web site http://www.writer111.com for customer testimonials and more information on his multidisciplinary background and career.

The last book he has edited: http://www.lulu.com/content/263630

Dec 24

How A Spa Party Can Be Easier Than Throwing A Regular Party

A spa party might be just the ticket, whether it is for a birthday, graduation, anniversary, bridal or baby shower. The event is virtually universal and basically hands free of worry when putting one together. If you want to earn some dough, or simply enjoy an evening of papering among you and your friends, these gatherings are full of conversation and relaxation.

Some people become apprehensive when they are asked to host parties of this nature and most commonly because they are just frightened of having a house full of people. Maybe they have never thrown a party or maybe they are not the best of house keepers but that is where the misconceptions are. In any event, these sorts of events are really the nicer types of parties to manage due to the salesperson that usually supplies most of the entertainment and arranges for most of the details.

Step one is to arrange the time and place. Step two is to make and deliver the invitations which are sometimes done by the merchants as well. Step three is to arrange for beverages and food. And last but not least, step four is to prepare your home or location of choice for company. You will want to arrange tables appropriately to enable your guests with an easy view of the speaker and give a quick once-over cleaning to the party area.

The wholesaler will generally help you to set a time and place that suits your needs. In hesitant hosts, it is always important to look at the event from an alternate perspective. If you are ashamed that you home may not be in tip-top shape, you can always reserve a room at a local restaurant. This solution would actually serve as a double positive since everyone could also purchase their own meal or you can easily purchase a main appetizer to also eliminate the hassle behind cooking for a crowd. If you don?t mind having the party at your house, your guests might feel more comfortable to be themselves behind closed doors rather than in a public location but either way they will enjoy themselves.

Mrs. Party… Gail Leino is the internet’s leading authority on selecting the best possible party supplies (http://partysupplieshut.com), using proper etiquette, and living a healthy life while also teaching organizational skills and fun facts. The Party Supplies Hut has lots of party ideas with hundreds of free coloring sheets, printable games, and free birthday party activities. Over 100 adorable Party Themes (PartyThemeShop.com) to fit your birthday celebration, holiday event, or just because parties is at the Party Theme Shop. Party themes include cartoon characters, sports, movie, TV shows, luau, western, holidays, and unique crazy fun theme ideas.

Dec 23

Careers In Entertainment (Latinos At Work)

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Price : $29.46

 

Book Description

This valuable vocational reference series is a must for all Hispanic youth. Latinos at Work: Career Role Models for Young Adults is a 10-volume series. Each book in the series begins with a description of many careers along with education, talent, and experience necessary, salary ranges and outlooks from a Latino perspective. Part 2 presents profiles of success: interviews with successful Hispanics in many different careers with advice for young people who might want to pursue that career. Inspired is an understatement of what you’ll feel when you read these very personal profiles. Part 3 is a complete resource section filled with further reading of books, magazines, names and addresses of organizations to contact, and web addresses. Each highly usable volume contains a master index to all the careers listed in all the volumes along with a master index to the people profiled.

Careers in Entertainment details careers in film and theater, including such jobs as actors, agent, choreographer, comedy writer, costume designer, critic, makeup artist, and playwright. Part 2 contains personal stories of such influential Hispanics as filmmaker Gregory Nava; producer of Resurrection Blvd. Moctesuma Esparza; Disney animator, Bill Melendez; and Entertainment Journalist Bel Hernandez-Castilla.

Dec 22

Madonna Confesses Dance Floor Tour May Be Coming

It’s not official but Madonna may be bringing her phenomenally successful CD, Confessions on a Dance Floor, live to a venue near you. To date, Confessions has sold nearly 1.29 million copies in the United States alone. It continues to top sales charts in the UK, and Madonna was recently recognized as the female artist with the most number one hits in the UK. It seems almost certain that Madonna’s fan base will soon be pleading for her to finalize preparations for a Confessions tour. How do we know Madonna may be preparing for a tour? While not coming out and making it official, she has made some statements that hint at the possibility.

In a recent interview, Madonna spoke about some performances she has booked for the near future. She will be performing at the Coachella Valley Music and Arts Festival in Indio, California, on April 30, 2006. She said, I am especially excited about playing Coachella before I start my own tour. In some interviews Madonna even talked about her vision for her next tour, some ideas she has for its visual presentation on the stage and what the Confessions on a Dance Floor show will represent for her.

Madonna’s plans for her tour aren’t specifically connected to Confessions, but when she says things such as, I want them (the audience) to feel like they’re inside a disco ball, it’s hard to imagine that her vision doesn’t involve Confessions. Other statements like, I want a sound system in surround and the dancers personalities to come out indicates that a tour for Confessions is highly likely. So what is all this excitement about?

Confessions, the fourteenth album/CD created by Madonna, is a mix of anything you want it to be. It’s about power and empowerment and love and its costs. In this re-invention of Madonna herself and the disco-era, she has come back with possibly the best work she has ever done. There are blogs and message boards full of comments on Confessions. I never even liked this woman and I have to say, this is real good stuff, one person noted. Other comments include, Only Madonna could bring back disco and dance with the popularity it had in the 1970’s.

It has been suggested that not only will she tour but that she will focus, as she has in the past, on dance. Wherever Madonna goes many others follow. She wants people to get out of their seats in response to the music. She wants them to have a good time straight through and non-stop. Considering that one song on the CD is a hit single and she co-wrote and co-produced Confessions with Stuart Price, (Madonna’s musical director on her 2002 Drowned World Tour and last summer’s Reinvention Tour) one may assume that Confessions on a Dance Floor will be a visually extraordinary concert.

Madonna, of course, didn’t do this all by herself. The genius forces of musicality that worked with her on Confessions will no doubt help her make the tour just as successful as the CD. Assistance from artisans such as Bloosdhy and Avant (Grammy winners), the producer of Madonna’s last two albums– Mirwais Ahmadzai, and co-writer Henrik Jonback will bring the live version of Confessions to the stage.

Madonna’s part in producing this album comes from her fascination with post modernism and technology. In talking about the making of Confessions on a Dance Floor she said, I’m trying to find the soulfulness in technology and playing with that. I would prefer to not have back-up singers. I would rather take my own voice and layer it and change it and put effects on it so it sounds like a lot of different tones and timbres.

Madonna fans know that this artist loves her craft. She is excited about her music and passionate about bringing it to the stage. If you haven’t heard the entire CD yet, you are in for a treat. This is the kind of CD that requires you either find a place to relax and just listen or occupy a space where you can start moving. There is no typical break between the songs. This music will make even those that don’t dance get up and move their feet. The Mistress of Visual Artistry herself is the only one who can bring Confessions on a Dance Floor to life on stage. Throughout the world of music, it is rumored that this tour could start as soon as August or September 2006. Start getting in line for tickets!

This article was written by Rita R. Powers sponsored by http://www.stubhub.com If you?re looking for online tickets for a Musical Show or some Sports Event, look no further than Stubhub.com where fans buy and sell the hottest tickets. Reproductions of this article are encouraged but must include a link back to http://www.stubhub.com

Dec 21

Training With Tunes: Music As A Learning Tool

Solders march to the beat, athletes exercise with music, and people united in a cause sing. Music, an integral part of human life, is often overlooked as a tool for improving human performance. In this era of ?better, faster, cheaper,? trainers, educators and presenters are looking for new, innovative approaches that help learning interventions succeed. Music is one such approach.

The connection between music and individuals is primitive and deep, providing a level of communication that transcends language. (Music may in fact be the original language.) Music, when systematically applied, calms frayed nerves, helps people focus, encourages receptivity to new ideas, accelerates learning, and improves the performance of individuals. Here are some music application ideas.

Music Helps Learners Focus
Background music during learning discussions and solo reflection activities can be especially helpful. It creates a sense of privacy for small group discussion, making conversations more satisfying and your learners more likely to say what they feel; enters into memory and aids recall; and masks ambient noise from other groups. The steady tones and tempos of Baroque music make it ideal for this purpose. Much of it was in fact composed as background music for kings, emperors, and other dignitaries.

Music Changes Energy Levels
Music can change the dynamic of your learning environment at appropriate moments, encouraging people to move about, relax, calm down, or get excited, depending on the needs of your session. After intense concentration, play faster music in a major key to encourage better moods. After heated discussion, play slow, minor-key music with low-rhythmic activity to calm your learners down. After a depressing, worrisome discussion, play major-key music with high-rhythmic activity and short, quick notes to create a happy mood.

Music Creates a Positive Learning Environment
Providing pleasant emotional content to your learners will establish a link between you, your classroom, and the learners? pleasure. Music reaches deep into the brain?s limbic system, and creates pleasant emotions. Learners who walk into your classroom and immediately feel comfortable because of the music you play will be engaged to learn.

Music is not a replacement for effective content, nor is it the only resource available. Rather, music is one more tool effective trainers should have at their disposal. Music, by its very familiarity, does not draw attention to itself. Instead it works much as coffee comforts the morning, popcorn anticipates the movie, and baking bread remembers home; it awakens the recesses of your learners’ minds and calls the emotion to attention. Trainers, educators and presenters who harness the teaching power of music find that training does indeed have a beat!

Visit Lenn on line at www.offbeattraining.com. Blog with Lenn at http://offbeat-online.blogspot.com.

Lenn Millbower, BM, MA, the Learnertainment? Trainer is an expert in applying show biz techniques to learning. He is the author of the ASTD Info-Line, Music as a Training Tool, focused on the practical application of music to learning; Show Biz Training, the definitive book on the application of entertainment industry techniques to training; Cartoons for Trainers, a popular collection of 75 cartoons for learning; Game Show Themes for Trainers, a best-selling CD of original learning game music; and Training with a Beat: The Teaching Power of Music, the foremost book on the application of music to learning. Lenn is an in-demand speaker, with successful presentations at ASTD 1999-2005 and SHRM 2006; a creative and dynamic instructional designer and facilitator formally with the Disney University and Disney Institute; an accomplished arranger-composer skilled in the psychological application of music to learning; a popular comedian, magician and musician; and the president of Offbeat Training?, infusing entertainment-based techniques into learning to keep ?em awake!

Dec 19

John Wayne &quotThe Duke&quot

The Duke was plagued by health problems which came to a head in 1964. He lost his left lung and two ribs to cancer in September of that year. Although rumors spread that he had developed the disease while filming in Utah, where the U.S. government had been testing nuclear bombs, he denied that this was true. Admittedly, he smoked from three to five packs of cigarettes a day from the early 1930s until the operation in 1964.

His agent and advisors wanted to cover up the hospitalization and illness, due to the fact that the backers and insurers of the motion picture industry were hesitant to have ailing actors performing. It was bad business to back someone with a potentially fatal disease. But about 3? months after his operation, Mr. Wayne held a press conference at his ranch in Encino, California and announced that he had no intentions of going out quietly. Because of his openness and honesty, cancer victims from around the world found new hope and courage in the strength which he showed and offered to them.

Despite his illnesses and their complications, Mr. Wayne continued to do many of his own stunts. In 1969, while filming The Undefeated, he fell from his horse and fractured three ribs. After almost two weeks of recuperating and then returning to work, he tore a ligament in one of his shoulders and could not use the arm on that side at all. In order to finish the film on a timely basis, his remaining shots were done at an angle to hide the non-use of that arm. He finished filming and showed remarkable aplomb, in spite of tremendous pain.

Mr. Wayne’s last film, The Shootist (1976), portrayed him as an aging gunfighter who is diagnosed with prostate cancer. He was, at the time, again fighting lung cancer and had been diagnosed with stomach cancer as well. His co-star, the legendary Lauren Bacall, had watched her real life husband, Humphrey Bogart, battle lung cancer and its agonies. The interaction between Ms. Bacall and The Duke came through during the filming and made for some very touching and real life interjections in the final product.

Because Mr. Wayne was not able to work every day, the shooting schedule was extended to accommodate him. Due to the fact that there had been questions about whether or not he would be able to finish the film, because of failing health, he made it his personal mission to accomplish just that - and succeeded in his endeavors.

Following completion of the film, Mr. Wayne had surgery in December of 1976, ironically, for an enlarged prostate. His public appearances decreased drastically after that. But being the trouper that he was he continued to appear, as often as his health allowed, until he lost his battle with cancer on June 11, 1979 at the age of 72 years and 16 days. He left behind him an incredible legacy which survives, even today.

He received many honors and tributes during his lifetime, as well as posthumously. Besides the Oscar that he received for True Grit, Senator Barry Goldwater of Arizona nominated him for the Congressional Medal of Honor in 1979. That was awarded and presented to his family after his demise. And he was honored on the day of his passing by the lighting of the Olympic Torch at the Coliseum in Los Angeles. The torch remained lit until he was interred four days later.

Other notable honors and tributes include:

1970 - received the DeMolay Legion of Honor

1973 - Awarded the Gold Medal from the National Football Foundation in honor of his time as a player at both Glendale High and USC

1974 - Induction into the Hall of Great Western Performers at the National Cowboy & Western Heritage Museum

1974 - The Harvard Lampoon invited Mr. Wayne to appear at the Harvard Square Theater to award him the Brass Balls Award for his outstanding machismo and a penchant for punching people. He accepted and arrived atop an armored personnel carrier which was operated by active military personnel. He mounted the stage of the theater and quickly and adroitly answered the derogatory questions with lightening-quick wit. Despite the ill feelings associated with the college students who voiced anti-war sentiments in regards to Vietnam, he won them over completely

1976 - Presented the People’s Choice Award for Most Popular Motion Picture Actor

1980 - Posthumously awarded the Presidential Medal of Freedom by President Jimmy Carter

1986 - Inducted as a Member of the First Class into the DeMolay Hall of Fame

1990 - Pictured on a 25 cent stamp issued by the U.S Postal Service honoring films of 1939. He was featured as The Ringo Kid from Stagecoach

1997 - Ranked #16 in Empire (UK) Magazine’s Top 100 Movie Stars of All Time

2001 - Gallup Poll participants selected John Wayne as their favorite movie star of all time

2003 - He placed in the Top Ten of the annual Harris Poll asking Americans to name their favorite movie star of all time. No other deceased actor has achieved this status since the inception of this particular poll in 1993

2004 - Commemorated on a 37 cent stamp in the Legends of Hollywood series issued by the U.S. Postal Service

Other notable tributes and honors with no listed dates include: voted 4th Greatest Movie Star of All Time by Premiere Magazine, named 13th Greatest Actor on the list of 50 Greatest Screen Legends by the American Film Institue, voted 5th Greatest Movie Star of All Time by Entertainment Weekly Magazine and Mr. Wayne was a Lifetime Member of Sigma Chi Fraternity, the Masons, DeMolay and the USC Trojan Knights.

Further, John Duke Wayne holds the record for the actor with the most leading parts - 142. He was the lead actor in all but 11 of those films.

He has been imitated, countless times, by comedians and actors in films and on television. He has been referenced in song lyrics over the last four decades, as recently as 2004 in a song by the country music duo Big and Rich. He has an airport in Orange County, California named for him and even has a 100 mile stretch of trail in the Iron Mountain State Park in Washington named in his honor.

Even today, one might see a Western film aficionado attempt to imitate the rolling walk, the slow drawl and the use of the term pilgrim which were employed by this film icon.

And the John Wayne Cancer Institute continues to pursue treatments and cures for several forms of the devastating disease which took this great man out of our physical world. His influence still continues in our lives, almost 30 years after his demise. He will be remembered as long as there are those who carry on his legacy and share his memories and films with future generations.

Michael Russell Your Independent guide to Entertainment

Dec 18

Entertainment Theater

The history of the theater is a long and illustrious one. We’re not going to bore you with the historical time line of what show came out when and who stared in it. You can get that info just about anywhere. What we’d like to do in this review of one of the most wonderful forms of entertainment is touch on some of the greatest moments and how they have forever changed how we look at the world of entertainment itself. The theater has had a great impact on our lives and the many things we do in our lives. Let’s face it, there is just nothing like seeing performers right up there on stage, live, right before your eyes. If you think that’s an overstatement then you’ve obviously never been to the theater.

You can go all the way back to the mid 1950s when a young girl by the name of Julie Andrews made her debut in the London production of My Fair Lady, a play based on George Bernard Shaw’s Pygmalion. Her electrifying performance as Eliza Doolittle, the poor Cockney gal who couldn’t speak proper English if her life depended on it, made her a household name overnight and began a career that would span over 40 years until she sadly lost her voice due to serious throat problems.

Looking for something a little more recent? How about the very first legitimate musical of the 1960s to feature nudity? We are of course talking about the 1969 production of Hair. This was a play that literally changed pop music altogether. Never in the history of Broadway has one play had as many hit pop records as Hair. This play featured such great hits as Hair, Easy To Be Hard, Good Morning Starshine and the number 1 song of 1969, Aquarius. Because of the great music in this play, careers for Three Dog Night, The 5th Dimension, The Cowsills and Oliver were launched into orbit. Talk about an impact on the music world.

Then of course there was the amazing rock opera of the Who, Tommy. This play was an epic of a musical masterpiece itself and not only put the Who firmly on the map as future rock and roll hall of famers, but also set the stage for a number of recording stars to capitalize on the success of Tommy itself. As great as the Who’s version of Pinball Wizard was, who could ever forget the late 70s remake by Elton John? Tommy will always be one of the greatest moments in theater history ever.

But if you want a single defining moment in theater history that chilled an entire world and put a single man on the map as a living legend, one need go no farther than Michael Crawford’s haunting rendition of Music Of The Night from Phantom Of The Opera. This is said to be one of the greatest musical performances of all time. And rightly so. To this day it has been said that nobody played this part like Crawford.

These few examples only scratch the surface of a form of entertainment that has captivated and mesmerized us for many years and will no doubt continue to do so for many more years to come.

Michael Russell

Your Independent guide to Entertainment

Dec 16

Wintergreen

As we drove along the dirt road north of our farm one Sunday afternoon, the color of the sky reminded me of Mom’s silver cream and sugar servers when they were tarnished and needed to be polished again.

Since morning, the sky had been cloudy, but now at mid-afternoon, the clouds had grown much thicker and darker. Earlier in December we had gotten a little snow. Several forty-degree days had melted most of it, and the landscape was a combination of dun-colored grass, black tree branches and the russet color of certain oak leaves.

Every year in December, Dad and I went on a Christmas tree expedition, and we were on our way now over to what we called our ‘other place’ to cut a tree. During the summer, I made frequent trips to the other place, a second farm my parents owned that was about a mile away, to help Dad with the haying or just to tag along when he checked on the corn or the oats or the soybeans.

But after school started, I rarely went to the other place, and it always took me by surprise how different it looked in the winter. Instead of green alfalfa and timothy and clover waving in a warm south breeze, what had grown back after third crop was now brown stubble that trembled in the face of a north wind. The fields were strangely silent now, too, without the songs of meadowlarks and bobolinks, and the bobwhite quail which lived in the narrow section of woods lining the road.

We were only about five minutes into our journey when Dad shifted the pickup truck down into first gear and then eased into the field driveway. The rutted track that ran along the edge of the hayfield was so bumpy that a merry jingling came from the glove compartment — probably a few bolts and washers, along with a couple of wrenches and maybe a screwdriver or two. When you’re a farmer, you never know when you might need a wrench or a screwdriver or a bolt.

Is it going to snow, Daddy? I asked. Now that we had gotten past the trees lining the road, the sky had opened in front of us again.

Dad leaned forward to look up through the windshield.

I’d say there’s a pretty good chance, he replied.

How much?

My father shrugged. Don’t know. Maybe quite a bit. Wind’s out of the east. And that usually means we?ll get at least enough to shovel. Could be a lot more, though.

When we reached the pine plantation at the other end of the field, Dad turned the truck around, driving forward a few feet then backing up, then driving forward and then back again, forward and back, until we were facing in the direction we had come. He let the engine idle for a few seconds before shutting it off.

Daddy? I said, as we started walking toward the rows of planted red pine. When do you think it will start to snow?

Dad stopped and tipped his head back. Soon, he said, that wind feels raw and damp.

When my father said ’soon,’ I was not expecting it to start snowing within the next ten minutes. At first, while we were cutting the tree we had selected, only a few random flakes drifted to the ground. By the time we reached the truck and had securely stowed our Christmas tree in the back, it was already snowing harder.

If it keeps up like this all night, you won’t have school tomorrow, Dad said as he started the truck. He slowly let out the clutch, and soon we were retracing our route along the field driveway. He turned on the windshield wipers, and with each pass — clickety-snick, clickety-snick — the wipers cleared an arc through the wet flakes plastered to the glass.

After we had pulled onto the dirt road, Dad shifted into second gear, although when we reached the ‘Y’ — where you could either turn left to go toward our farm, or right to go toward the house that had at one time been part of our other place — he shifted into first gear again.

Hope we make it up the hill, he said, glancing at me. Wet snow makes the road kind of slick.

It was touch and go for a few seconds when the back wheels started spinning, but finally we reached the point where the hill leveled off. Trees grew on both sides of the road here, and to the right, a steep bank gave rise to a small wooded hillside.

Look, Dad said, pointing toward the bank. He inched over to the side of the road and stopped.

I peered through the curtain of falling snow. The bank looked pretty much the same as it always had — exposed tree roots, patches of moss and bare spots where flat sandstone rocks had slid toward the road.

What do you see? I asked.

Wintergreen, Dad answered. He shut off the truck and opened the door.

Wintergreen?

The first time I had tasted wintergreen, I decided that it was my favorite flavor. Peppermint was a little too sharp, although candy canes at Christmas were all right. Spearmint didn’t taste like much of anything. Wintergreen, it seemed to me, was just right. In my opinion, Teaberry gum was the best, with wintergreen Lifesavers following as a close second.

Dad liked wintergreen too. Lifesaver books were popular gift exchanges at school for our Christmas party, and if the person who had drawn my name gave me a Lifesaver book, I would trade with other kids who had also gotten books. Sometimes I managed to acquire several extra rolls of wintergreen. Then I would share them with Dad. I thought Teaberry gum was better than candy because the taste lasted longer, but Dad preferred Lifesavers. Gum, he said, stuck to his dentures.

During the summer, every time I went to town with Dad to grind feed, I hoped he would buy a package of my favorite candy or gum. Not at the feed mill, of course. They didn’t sell Teaberry gum or Lifesavers at the feed mill. But if we went to the restaurant for pie while we waited for our feed, or if Mom had asked Dad to pick up a couple of things at the grocery store, I would try to talk him into buying some gum or candy.

Going to the feed mill with Dad was a summertime activity, however, and there were long stretches during the school year when I never even saw a package of Teaberry gum or a roll of Lifesavers, much less had any in my possession.

So what was Dad talking about when he had stopped the truck and said, wintergreen?

I stared at the embankment and then at the hill beyond but I couldn’t see anything out of the ordinary. I shut the truck door behind me just as Dad scrambled nimbly up the bank into the woods.

It’s growing all over here, he said, pointing to the ground. They’ve got berries, too.

I struggled up the bank behind him to get a closer look. Underfoot were small plants with shiny green leaves.

That green stuff is wintergreen? I said.

My father nodded.

Like what they use to make gum?

Yup. Here. Taste.

He reached down and picked a couple of small, pinkish-red berries, popping one into his mouth and handing one to me.

I sniffed the berry. It smelled like wintergreen, all right, but I wasn?t one bit sure about eating the thing.

Taste it, Dad urged. You’ll be surprised.

So, I ate the berry. It had a strange consistency — sort of dry and mushy, all at the same time. . .and then my mouth was filled with the marvelous taste of wintergreen. The same as my favorite gum, but different, too. More delicate.

It’s good! I exclaimed, grinning. Then I frowned. How come we haven’t seen it before?

Usually too much snow by this time, Dad said.

What about in the summer, though?

Too much underbrush and other green things.

And this is really the stuff they use in gum? I asked.

Dad took his cap off, slapped it against his leg to rid it of snow and then put it back on his head.

Well. . .they probably don’t go into the woods and pick wild wintergreen. People probably raise it and sell it, and I think they might use the leaves rather than the berries, but yes, this is the stuff.

By now the snow was falling so hard it made a hissing noise as it struck the copper-colored oak leaves above us. Unlike other trees, some of the oaks, I had noticed, keep their leaves until spring.

How do you know so much about wintergreen? I asked.

Oh, Dad said, when we were kids, we used to pick it so we could make ice cream.

I turned to look at him. Ice cream?

Our kind of ice cream, anyway. A little dish of snow with winter-green berries mixed in.

Suddenly I struck upon a wonderful idea.

I know! I can try some right now.

I took off my mitten, picked a few wintergreen berries and scooped a small handful of fluffy, fresh snow. I put the berries in the snow, and — well — I have to admit it was pretty tasty.

I put my mitten back on. Didn’t you have real ice cream when you were growing up, Dad?

My father smiled. Sure — sometimes. Not store bought, though. We made our own with a hand-cranked ice cream freezer. But that was mostly in the summertime. We thought wintergreen ice cream was an awful lot of fun.

Dad had been the middle child among several older brothers, an older sister, and three younger sisters. My grandparents had worked as cooks in a lumber camp in northern Wisconsin in the early 1900s. Many years ago, long before I was born, Dad had made his living cutting pulp wood.

Daddy? How did you see the wintergreen from the road? I asked.

My father hesitated before answering. I didn’t see it. Not today, at least.

I stopped trying to adjust my mitten so the thumb lined up like it was supposed to and turned my full attention toward Dad.

Remember last fall, when the county forester came out here? he asked.

Yeah, I remember.

Just on the other side of the small wooded hill was a two-acre stand of tall red pine with a couple of rows of white pine next to the road. Dad said the trees were among the oldest of the plantations in the county that had been planted just after the Great Depression to keep the sandy soil from eroding. Nearly every year, the forester would come out to check on them. One year he used Dad’s pine trees to demonstrate a brand new trimming device to foresters from other counties.

Well, Dad continued, while we were out here, I decided to take a little walk. I don’t get much of a chance just to walk around back here.

And that’s when you saw the wintergreen?

Dad nodded. I was waiting for the right opportunity to show it to you.

He turned back toward the truck. It’ll be dark soon. We’d better get home. The cows are waiting to be milked.

As we slid down the embankment, I glanced over my shoulder.

Wintergreen.

Growing in the woods not far from my house.

And in that instant, I knew gum and candy would never again taste quite the same.

From the book: Christmas In Dairyland (True Stories From a Wisconsin Farm) http://ruralroute2.com

About The Author

LeAnn R. Ralph is a freelance writer for two newspapers in west central Wisconsin, is the editor of the Wisconsin Regional Writer (the quarterly publication of the Wisconsin Regional Writers’ Assoc.) and is the author of the book, Christmas In Dairyland (True Stories From a Wisconsin Farm) (Aug. 2003); trade paperback. For more information about Christmas In Dairyland, visit http://ruralroute2.com; bigpines@ruralroute2.com

Dec 15

Being True To Your Art

This article deals with a most important subject in my view and that subject is how to be true to your art whatever that art may be. My art is poetry so I’m going to use this as my example but feel free to apply this article to any art you have a true passion for because I feel it’s universal.

I see so many people who enjoy writing being what I call crossover artists who write in many genres but have no real specialty. I see romance authors or science fiction authors also putting out poetry books claiming to be authors/poets and this to me is troubling.

I am a poet who loves poetry and concentrates only on poetry so this kind of thing when it comes to crossing over I personally find insulting. The people who do this crossing over from genre to genre in my opinion are just trying to get their names seen in as many places as possible in the hope that in one it will stick and someone will see it.

I feel they care little for whatever genre they are writing under and they only care for the press that comes from it. In the music industry you don’t see rappers/country artists so why in the literary world do we see romance/science fiction/poets?

In my opinion the crossovers have no real passion or belief in any one genre so they write in them all and to me it’s disturbing. In my belief they also lessen and take away from the accomplishments of true artists solely dedicated to one genre and one genre alone.

You never see a proctologist/brain surgeon and so you shouldn’t have the fake author/poets of the world that lessen what poets do in the art.

I study karate and I took the time to find a real street effective self defense system of genuine value that is not used for sport or pretty acrobatic shows. I have a passion for the art and I’m true to it not wanting to mix it up with other things like a bad salad. It’s already perfect in every way to me without myself or someone else mixing things in and changing it’s real and effective and valuable origin.

I guess my message to crossovers would be to stop diluting the art we care for by just dabbling in it and then calling yourself a poet because you disgrace real poets by doing that. Take a look at what happened to M.C. Hammer when he went and crossed over from dancing to thug and you’ll understand the phoney light real poets see you in.

Think about having passion and originality for once and be true to your art with emphasis on the part that says your art. Leave ours alone and stop diluting it with your novice work and overblown ego. Be true to your art people.

Once you cross and change an art it ceases to be what it was and it begins to change because of dabblers and crossovers looking for another place to post their names and it sickens me.

If you know your true and real interest is not poetry then leave it to the people who have it as a real and true interest and stick to writing romance or whatever you do because you’re not and never will be a poet.

Publishamerica Poet

Dec 12

Show Me The CD…If You Think Your Music’s Great Record It!

Throughout the history of modern music, there hasn?t been a musical artist/band who doesn?t think that their songs are all #1 hits just waiting to be discovered. Many of these artists have been correct and have stood by grinning as their tunes screeched up the charts. This inspires a new crop of musicians every year to feverishly pen their potential hits in hopes of making it big.

Musicians write. They rehearse. They play clubs and hope that one day they?ll encounter that special A&R guy (or gal) that will, see them, dig them, sign them, and make them stars. But surprisingly enough, many of these bands never complete what is probably the most important tool for any musician signed or unsigned?they never record a CD.

It cannot be stressed enough that the CD is at the heart of any musical project. It is the physical embodiment of the song, the combination of writing and performing. It?s any musician?s skeleton key for: club gigs, reviews, and radio play. CDs enable you to draw the attention of fans and industry at the same time. Whether containing one song or twenty, the possibilities of the unsigned artist?s CD are endless. Post them on the web. Get them to the press. Give them to your friends. Sell them at your shows. Send them to the record labels. Your CD lets the world know who you are and what you sound like and gives anyone who digs your music the opportunity to listen to it again and again.

So, how can you make sure that you?re CD does your music justice while appealing to fans and industry alike? While there is not one set way to record a CD, there are certain key elements that every professional CD should possess.

The following are a few tips that may help you to make sure that your CD will help your band instead of hindering it:

1.)It?s Not The Size, It?s What You Do With It—It doesn?t matter how long your CD is, only that it accurately portrays your sound and vibe. If you don?t have a lot of time or money to spend in the studio then record for quality instead of quantity. It?s better to have one really kick ass tune recorded then a full length CD that sounds like it was recorded on a boom box in your basement. But that doesn?t mean that your CD needs to be expensive or time consuming. The advanced technology of digital recordings has afforded musicians/bands the opportunity to record in smaller home studios and still come away with professional sounding recordings. It?s now all about finding an engineer with a fantastic ear and the mastery of his/her own gear regardless of how inexpensive it may be.

2.)Record And Mix For The Song—Remember a song is a collaboration. Even if you?re the sole musician and engineer of your CD, recording a song is still an ensemble project. Instruments, voices and effects must all work together as a team to produce the best possible finished project. If a guitar line is too busy, a kick drive is too loud, or a voice is perpetually off key, the overall quality of the finished product is compromised. There is a delicate balance of creativity and technology, of art and electronics that comes together to produce the wonder that is your CD. Treat that balance with respect. Put your ego aside and record with the songs as your absolute priority.

3.)Less Talk And More Action—Certainly there is a great deal of preparation that is required before recording. Mapping out the arrangements of your tunes can be an arduous process usually much more complicated than the live performance of the song. One guitar part becomes three, or five or ten, a basic drum part now includes percussion and electronic beats, two backing tracks can become twenty. Sometimes you feel as if your brain will certainly explode from the mapping out of all of the musical and vocal parts required to give your song a professionally recorded sound. But don?t get so lost in the charting and practicing of various parts and forget that time is of the essence here. It?s all well and good to tell those who inquire that you?re ?in the studio? or ?currently recording? but if a CD does not materialize in a reasonable amount of time both fans and industry will grow disinterested and move on to someone who has a finished product.

4.)If It Sounds Good, Make It Look Good—After the time and energy you?ve spent to make your CD sound amazing, don?t scribble on it with a blunt sharpie, throw it in a used envelope and expect a record label to be impressed with it. If your CD looks unprofessional, it will be dismissed as such and will probably spend its days unlistened to, lining the bottom of some A&R intern?s birdcage. Simple packaging is certainly acceptable but make sure your CD?s first impression a good one?your graphics are high quality, your text is neat, your paper stock is professional and all materials are unused. Even the most poorly recorded CD will get a listen, if it comes in a pretty package.

Now that you have a professional CD recorded, your possibilities are endless. Send it to anyone and everyone! Get your name out there! Make new fans! Grab some press! Get a record deal! Stand back and grin as your single goes screaming up the charts. Anything is possible if you have a good CD and can share your music with the world.

Sheena Metal is a radio host, producer, promoter, music supervisor, consultant, columnist, journalist and musician. Her syndicated radio program, Music Highway Radio, airs on over 700 affiliates to more than 126 million listeners. Her musicians? assistance program, Music Highway, boasts over 10,000 members. She currently promotes numerous live shows weekly in the Los Angeles Area, where she resides. For more info: http://www.sheena-metal.com.

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